Where music meets licensing

Where music meets licensing, there is cash to be created. what quantity money? "I have synched quite few thousand songs into productions over the years," states Peter Jansson of Janssongs, Inc., "and have charged anyplace between US$1.00 and US$250,000 for every one."

That's correct: he aforesaid 1 / 4 of 1,000,000 bucks. And there square measure a good several places to earn cash from music. for instance, there square measure a lot of TV shows on a lot of cable channels than ever before. There square measure mountain of commercials. There square measure tons of electronic games and toys. There square measure corporate video productions galore. There square measure massive movies, little movies, and direct-to-DVD movies. and that they all square measure potential places to place your music, if the rights may be cleared.

Goldmine or piece of ground.

The world of music clearance may be a goldmine or a piece of ground. we have a tendency to detected concerning the quarter-million-buck goldmine. "Having aforesaid that," Jansson adds, "I assume a median fee is typically between $4,000 - $6,000 per aspect (i.e. Master & Synch). It depends on however badly they require to use the song and the way massive a success it had been." Those 2 words, "Master" and "Synch" indicate a part of the matter for the typical singer/songwriter UN agency hopes to possess a song seem on a audio recording. Before you'll begin earning cash, there is a heap to grasp.

The facts square measure thus vital that NARIP, the National Association of Record industry Professionals, has Stacey Powells lead workshops on the subject. Powells, presently clearing music for On Air With Ryan Seacrest, says "This may be a way more complicated a part of the business than most of the people notice, however it may be extremely profitable for artists, thus there is a nice feeling to passing on this info."

A Little school speak.

Music may be employed in four broad classes below copyright law: Adaptation, Recording, replica, and Public Performance. looking on wherever and the way somebody goes to use a song, there square measure mechanical rights and synchronization rights that ought to be negotiated, and therefore the numerous parties concerned could embody the songster, publisher, and company, sometimes holder of the master rights.

Well, that last half does not thusund so difficult. OH really? think about that there could also be multiple songwriters, every with their own publisher for his or her share of the song. Song copyrights square measure control by music publishers (which could also be the creative person, however a lot of typically may be a third party), whereas sound recordings (the masters) square measure controlled by record corporations (which conjointly could also be the creative person, return to consider it).

The Facts of the Matter.

So what, exactly, is "Music Clearance"? Simple: obtaining permission from rights holders to use music in your production. however what rights? The song's copyright is control by the writers (or the estate of the artists, or whoever was sold the rights). The master recording is control by whoever controls the recorded version of the song. Ah, however that version of the song? The one the singer/songwriter recorded? The one recorded with Russian lyrics? The jazz instrumental? The one recorded by the metal-reggae band?

Consider this: you'll get permission from the publisher while not permission from the company -- if you record a brand new version of the song. however while not the publisher's permission, the master recording license will you no good the least bit.

The field is extremely competitive. Don Grierson, former head of A&R at Epic/Sony, Capitol Records, and EMI-America, and sometimes a music supervisor, consultant, and government producer, notes that "nearly everybody within the music business looks to be aiming at the film/TV and industrial licensing markets. there's intense competition. It will return all the way down to relationships on some occasions, however typically it's determined by the benefit with that you'll acquire the clearance."

Negotiating the Fees

Janssongs' Peter Jansson quickly lists a number of the variables: "When it involves Synch Licensing, there square measure variety of things that verify what the fee goes to be, such as: territory (USA? World? Provincial?), media (Theatrical only? Radio? Television? DVD/Video? New technology?), usage (Featured Instrumental/On Camera? Background Instrumental? Background/Vocal?), length (Entire composition? thirty seconds or half thereof?), version (re-record or original recording), to call simply a number of."

But even once you have got sorted out UN agency owns what and wherever one thing goes to be used, there is the legal language, with contracts possible to contain such phrases as "World excluding the BRT's," "Rear Window," "now famed or hereafter devised," "MFN," "Pro Rata Share," "Third Party Payments," and even "Audit."

True, you do not have to be compelled to understand all of those things if you are a songster, recording creative person, manager, agent, record government, film/TV production professional, or agency government. however the a lot of you recognize, the better. Not solely can you be softer with the business aspect of the music business, you will be in an exceedingly higher position to guide a career -- your own or your clients' -- to a lot of rewarding selections.

"Just knowing a trifle concerning these topics allows you to follow the conversations these clearance guys have with my shoppers and every one their alternative representatives," says one manager of many musical acts. "And knowing a trifle will facilitate plenty."

Real-life Examples.

Sometimes you learn by doing. "The terribly 1st time I authorized a song on my very own," says brandy Ferrari of MasterSource Music Catalog, "I ne'er got bought the license. the assembly company discharged the moving picture (Son of Darkness 2) then went bankrupt. What some way to begin a business!! I even have had higher luck with nearly one,600 licenses since then!"

Don Grierson, once acting as a music supervisor for motion photos, says "Those UN agency represent songs typically decision American state and raise 'What square measure you trying for?' and it's wonderful however quickly that may amendment. The music necessities for any given project, or perhaps any given scene in an exceedingly film, will amendment looking on the director, the producer, etc. And no matter mood is being established within the scene could amendment in postproduction, requiring a amendment within the music."

Mistakes to Avoid.

Where folks square measure concerned, there may be errors. "Publishing and record corporations sell and sublease and assign rights, a number of that they didn't own to start with," points out Janet Fisher of Goodnight Kiss Music. She quickly lists a number of a lot of potential problems: "New corporations file new cue sheets and suddenly a song is attributed to the incorrect author, a title is modified, a publisher forgotten; or generally a copyright holder simply stops filing all paper work, together with amendment of address forms."

One indie creative person UN agency has had many compositions in TV shows says, "Being AN indie creative person may be a large advantage. Music supervisors square measure forever craving for quality master recordings. AN indie creative person will log out on a master synch music license in an exceedingly day. Time is often a problem, and television supervisors love indie artists attributable to the shortage of major label bureaucratic procedure which regularly leaves them while not clearance in time."

Goodnight Kiss' Fisher agrees: "Obviously handling AN indie catalogue goes to be more cost-effective, and easier to figure with. the massive entities don't seem to be as hungry because the little, and our songs are not any quite once-removed from the supply."

Another UN agency agrees is music supervisor Frankie Pine, UN agency has worked on all the Steven Soderbergh film and television comes within the past decade. "I have had a minimum of one indie recording in each film," she states, "and it's typically a lot of easier to urge them to log out on AN agreement. in an exceedingly business that's thus time-intensive, that's a true and."

Helping out indie musicians is Barry Coffing of revolt recreation. "We shop around for nice freelance music," he notes, "and the nice factor concerning this business is that there's most glorious music being created in such a lot of classes."

Musician vs. Music Supervisor.

Nancy Luca may be a musician UN agency plays thus typically on each coasts, she has AN L.A. band, a brand new royalty band, and a American state band, and will session stringed instrument work (her solos were on 2 Heineken commercials throughout the Super Bowl broadcast). She observes that "There square measure those that create plenty of cash writing music for tv that 'sounds like' alternative artists. it might be nice if they'd use the $64000 artists like American state UN agency have nice songs however no split a giant label. i'm for licensing simply to let folks hear the $64000 music -- the things that was written with heart and mind, not only for a bank check."

Joel C. High, vp of music and soundtracks for Lions Gate recreation, displays the joy that several folks have for creating music work with pictures. "We typically have administrators UN agency square measure greatly galvanized by music and UN agency could also be keen about feat a song that would not usually slot in the budget of that film or tv project. that is once we, as music supervisors, ought to attempt to bring that very same fervor to the negotiating method. we have a tendency to attempt to head to bat for our filmmakers in such some way that it edges the image and offers the most effective doable exposure for the musical creative person. we would like to urge the completely excellent music for the scene and sometimes the sole means {that can|which can|that may} happen is by obtaining the recording creative person to visualize the deserves of getting their song in an exceedingly film - to think about the means their song is employed in order that they will see edges on the far side simply the monetary one."

A Director of Copyright and Licensing at a serious freelance business firm had this to say: "Obviously, licensing music in film/TV may be a terrific thanks to get exposure, though for brand new artists, it'll in all probability not be profitable. And after all, there square measure things writers/artists ought to take into thought once somebody requests to use their music: Avoid giving broad rights away for free! This sets a nasty precedent within the community, particularly for brand new artists/writers, and it de-values their work."

Did this person have any concepts for understanding a compromise? Certainly: "If a author is raring to be concerned in an exceedingly project, and therefore the producer desires the utilization for free of charge, here square measure a number of suggestions once negotiating. First, attempt to scale back the terms (e.g. rather than sempiternity, scale back the term to ten years; rather than all media, scale back to all or any TV or theatrical only; and rather than worldwide rights, attempt to scale back to U.S. only). If the producer isn't agreeable to the current, then the author ought to request some style of 'step deal.' little or no cash (if any) is paid up front, however ought to the assembly achieve success, they're tributary to compensate the author at sure 'milestones'." the sensation is that "if the producer starts creating cash, thus ought to the writers of the musical works concerned."

Music supervisors Frankie Pine and P.J. Bloom have the most effective piece of recommendation for artists inserting music: "When you get the decision, say give thanks You!" says Bloom. "There square measure such a lot of folks attempting to urge songs onto soundtracks, that it's vital to urge within the door and make a relationship."

The Bottom Line.

Fisher contains a pretty nonliteral outline for this story: "Like any a part of the music business, licensing may be feast or famine, goldmine or plain previous shaft -- however like all a part of any business, the most effective protection resides in using those with expertise and integrity. If I were craving for a goldmine, i might realize AN knowledgeable about labourer UN agency had found gold before."

URLs of principals during this story include:

http://www.goodnightkiss.com,

http://www.janssongs.com,

http://www.mastersource.com,

http://www.nancyluca.com,

http://www.narip.com,

http://www.sladjana.com/pages/don_grierson.htm,

http://www.uprisingent.com,

http://www.gmanmusic.com

Scott G (The government man) writes and produces radio commercials at G-Man Music & Radical Radio. He conjointly composes music for commercials and has albums in distribution via Delvian Records, iTunes, and lots of on-line stores and sources. A member of NARAS (the Grammy organization) and NARIP (National Association of Record business Professionals), he writes concerning advertising, selling and music for the Immedia press agency and MusicDish.com. Samples of his music and commercials square measure on his site: http://www.gmanmusic.com

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Movie Poster Collecting

There is a good deal of history behind show posters and show poster aggregation. Jules Cheret, UN agency created a pair of show posters within the 1890's, was the creative person given credit for making the first show posters. By the top of the primary decade of the 1900's, movies had become a good source of public amusement. during this fundamental quantity, the show poster would become a typical size referred to as the one sheet measure 27" x 41".

In the time period, the names of actors failed to appear on the posters, that the show studios likable, as a result of it meant paying actors less cash. it had been during this early amount in show history, however, that show studios complete show stars were the maximum amount of associate attraction to the moviegoer because the show itself. Thus, the film star was born, and show posters began showcasing actors' names at the side of the title of the show.

By the 1920's, the golden age of silent movies, show posters became a lot of creative and spectacular, with accomplished artists being hired by show studios to color portraits of the celebs for posters. By the late 1920's, show poster pictures became beguiler attributable to a brand new printing developed by the Morgan Litho Company.

In the 1930's, additionally well-known within the industry as "The Golden Age of Movies", another variety of show poster was created, the 0.5 sheet. Major movies would generally get over the 2 designs. However, attributable to period, several show materials were being created a lot of cheaply, inflicting a loss of quality in show posters.

The dawn of warfare II in 1941 saw several of the show stars avoiding to war and war was the main theme of films at that point. The industry cut advertising prices and used cheaper paper for posters attributable to the paper shortage of time period.

By the 1970's, show posters used photography, occasionally victimization drawing and painting designs. show posters at this point were being printed on a clay-coated paper, that gave them a shiny end. Star Wars and Star Trek posters were the foremost well-liked posters of the time and square measure still collected by several these days.

In the 1980's, the age of the camera work blockbuster, the mini sheet was fictional, and video stores became well-liked, so the video store poster was created. Today, reprints of show posters square measure factory-made and sold in several stores or square measure simply a click away on the net.There square measure many kinds of show posters. because of their rarity, the avid show poster collector has targeting show poster or theater art. These square measure the posters that square measure delivered and displayed by the show theaters then intended to be thrown away. Another style of show poster is that the industrial poster, that is factory-made for direct sale to the general public. Video posters square measure distributed to video rental stores for advertising material. Cable and tv posters square measure use as promotional material for TV stations for his or her programming. Like theater art, video posters and cable and tv posters don't seem to be created for the general public. though not as valuable as theater art, these kinds of posters square measure still well-liked among collectors. Special promotion posters promote a show at the side of a product. Finally, there square measure day of remembrance problems, restricted editions, and special releases that square measure free in restricted quantities and square measure gaining favor with the theatre art collector. different kinds of show posters embrace advance posters that promote a show well sooner than the movie's unleash. The award poster, that indicates that a show has won associate Oscar. The jazz group poster, advertising 2 movies rather than only 1. the favored double-sided poster that has art on each side, with the design reversed on one facet of the poster. There square measure featurette posters lightness short films or cartoons, review posters for once a show gets an honest review, serial posters for show serials, and special distribution posters.

With the recognition of show posters has return the requirement to form various sizes of posters. the first and most generally used poster is that the one sheet, that is sometimes 27" x 41". The subway, also referred to as the 2 sheet, is larger but not exactly two times the size of the one sheet. The 3 sheet is three times the size of the one sheet measuring at 41" x 81". The 6 sheet is six times the size of the one sheet measuring of 81" x 81". There is also a 12 sheet approximately twelve times the size of a one sheet, and the colossal sized 24 sheet measuring 246" x by 108". Other sizes include the mini sheet, which is usually much smaller than the one sheet and comes in a variety of sizes, and the stock sheet issued for cartoons or other shorts.

As with all collectibles, condition is a great factor when placing a value on posters. A movie poster's value is determined by demand, rarity, and condition. Poster collectors use the same grade system used by comic book collectors: mint (perfect), near mint, very good, good, fair, and poor.

For those who want to be serious movie poster collectors, you will need to know some things about taking care of your movie poster art.

Tips to retain the total collectable value of movie posters 

Never alter the appearance of a poster. Do not fold, bend, tear, or punch holes in it even to hang it on your wall.

Never place a movie poster in direct sunlight. UV lights can also be harmful.

Don't write on your poster, even on the back. Marks on the back can sometimes be seen from the other side, taking away from the poster's value.

Never put tape on the front of a poster even to repair tears. If you do use tape, use acid free tape available from an art supply shop, and place the tape on the back. For expensive movie art take it to a professional to be restored. Posters can be restored the same way rare comic books are professionally restored.

When shipping posters use thick poster tubes or bubble envelopes. 

For long time storage, frame, or place the poster in a plastic bag or tube, and keep it in a cool dry climate.

When framing a poster do not dry mount it, and use an acid free backing board.

Now that you simply know a trifle a lot of regarding show posters and show poster aggregation, go ahead, begin collecting!

Posterlovers.com - Search through the world's largest on the market assortment of posters, fine art prints and photos. brighten up your walls with wall posters and art prints.

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The Hyperborean Mythos Land of the Forbidding

the deep twilight once snow coated shrubs seem like ghosts, and wandering cervid seem like monsters, on the far side the cities and therefore the farmlands, the farthest regions of American state forests, and to the Canadian Arctic, nothing seems to seem in its right perspective; everything is too giant, too tall, too wild, too ugly, too far, too near, too fierce, so one ne'er sleeps relaxed within the wild of winter nights within the land of grey strangeness, within the land of the forbidding.

When the aurora seem, ne'er ar they the same, they, just {like the} cold forest wavers and shimmers like the symbolisation on a black flagged ship baffled. The Inuit's grasp the land and its recent legends. Its ghosts, death, for death is common during this place, do you have to build the incorrect, move, turn, step, choice, you need to accept its results.

With a bottle of strong drink, which is common in these out of the approach places, associated an odd heat involves the blood and inadvertently you slip away, the spirit leaves its long dwelling and isn't any longer cold or hungry, however you're dead all the same.

This strange land that points to the North Pole, wicked demigods battle for UN agency can take the shape of the bear, the wolf, UN agency can enter them to possess their spirits, once twilight. With them they bring illness, death to the living. The spirit demigods ar hid in wedges, have smart information of the area. They sit on rocks and wait. Foolish they'll be, however there they wait, change of state on seal skins, as they favor to pass the time.

The wolves grasp over any book can ever tell of the wild. To the wolf, darkness or lightweight of day, one and every one ar the same. They howl through the valleys and therefore the Ursus Maritimus, thank God he can swim, avoid the packs of wolves. The caribou, astray, are a quick mark for a pack of hungry wolves.

...

At such a twilight a thing accrued, a great wolf fell into a pit, one an Inuit dug, covered with twigs and moss, he had several stakes embedded into the bottom soil, however, somehow the wolf landed twisted all around the stakes, unhurt on the floor of the pit, but escape was impossible.

As I implied, death is common and the news of this wolf defeating death became a big news for the little Inuit fragment of a tribe of fifteen inhabitant, without showing its astonishment or giving comment to the beast, they freed him, they might have known some evil could befall them, but it didn't occur to Kayak (who was named for his love for the water).

What creature survives without the demon in him? Did not God send him to Kayak's pit for its execution? So a wise man from a nearby village had said to his pupils.

It was the evening of the second day of the wolf's freedom that one among the fifteen inhabitants of Kayak's tribe had died, left were the marks of fangs coming back from a stray wolf. Then the following day, another youth died, married person of 1 of the inhabitants of Kayak's tribe, her body lay lucid and ripped apart as she lay on a pile of skins she evidently had been operating with; her throat ripped to its cartilaginous tube.

On the third day, a brand new born was fond with its limbs chewed to its bones, and left for dead, thus, the tribe was currently twelve.

The wolf-devil, was a virile active creature, vast in size. ne'er did such a beast have such durable legs, and powerful spine, "He can die in day," aforementioned Kayak to his tribesmen, "I can dispatch him with my spear!"

And alone within the wild, that terribly night, he perceived the dark eyes of the wolf come upon his back, and in an exceedingly moments thrust, he was change of state through kayak's elbow, disconnecting the higher and lower elements, and consequently he born to the ground, prayed to his guardian angel, that his little son would survive.

The beast bent down lower as if to listen to his last words, his eyes appeared very wide to Kayak, and the wolf, with a human voice laughed. This fact no longer surprised Kayak, then suddenly, lightening hit the wolf, and its pelt was burnt to a rough brittle, and the animal sniffed his own hide, and died alongside of the Inuit. But before either one's last breath, Kayak heard the beast say, -as Kayak bent his ear close to the mouth of the wolf, and through the lips of the beast the demon whispered: "The bear is on its way."

It was said a bear killed every member but of kayak's tribe but one, whom this story comes from, it was Kayak's son, and the old man of the nearby village, told his pupils: "The devil and the wolf have grown up together they both like blood. Let them die together as they are playmates, do not disturb nature's plan!"

#5069/ 2-13-2016

Copyright © by Dennis L. Siluk 2-2016

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Why Have Adult Coloring Books Become So Popular?

Recently a couple of coloring books for grown-ups became the top best-selling books on Amazon. (Yikes!) In addition, for quite a while five of the top ten best-sellers in Britain were adult coloring books.

And it wasn't so long ago when adults were ashamed to admit they kind of liked coloring their children's coloring books. It was considered childish and somewhat infantile. Researchers even claim that adult coloring books owe their rising popularity to the virtual anonymity of their purchasers - adults were actually too embarrassed to buy "such" books from regular real-life bookstores. It was thought to be socially unacceptable.

So what's all that fuss about now? Why is coloring suddenly so trendy?

Well, apparently:

It gives you permission to feel like a child again.

Adult coloring books are like the new kid on the block - they bring about an air of mystery and intrigue, promising new, unknown and undiscovered adventures. More and more grown-ups are into this and it's no coincidence. They can now "legally" get childish and no one would blame them. Coloring's proven to evoke your inner child who simply wants to play and feel good. No more, no less.

It gives you the unique chance to escape from reality

"Escapism" is defined as "entertainment or recreation, as an "escape"... from the perceived unpleasant, boring, arduous, scary, or banal aspects of daily life." In other words - coloring helps you cope with the otherwise stressful/awfully boring routine or with even depression. The magical world of multiple shapes and colors takes to a far nicer place, where you could enjoy simple pleasures.

It's fun

Well, it is fun.

It sets your inner muse free

You can't paint? Well, you can always color! Many people (including me) have the same problem - they're full of creative energy but can't scribble a doodle. And it does make me feel bad sometimes, when I feel the need to let it all out but don't really know how. Blank pages make me feel even worse.

Then again, all those beautiful henna patterns, mandalas or even Ryan Gosling (oh, yes, there is such a book) pop up all of a sudden and I feel my inner color-Goddess rejoice.

It's actually healthy

Mental health is often neglected but usually way more important than physical wellbeing. And coloring has a soothing effect both on body and soul. It helps you relax and free yourself from the clutches of stress. There are even specially designed coloring books to help you fall asleep (without the usual glass of red wine, too!)

It helps you socialize

Throw a coloring book party, inviting your childhood best friends! Everyone gets a copy and loosens their imagination over a cup of coffee or wine. You could talk about the good old times or simply discuss your favorite TV show. You could actually do all that while watching your favorite TV show! Whoa, talk about multitasking!

It gives you a reality check

First and foremost, it allows you to touch paper. And paper, as it turns out, is missing more and more from our daily lives, being replaced with all kinds of tech gadgets. You can also feel the pen you're coloring with, sense its texture, you can smudge and smear with your own fingers. And there's no "undo" button.

It's cheap

Adult coloring books don't cost much. They come in all kinds of sizes and prices, so they fit everyone's needs (and pockets). Besides, one coloring book, if colored diligently, could last for at least a month. After all, it is way cheaper than a psychotherapy.

It's all about you

It's your style, your colors, your imagination - you, you and you again. Coloring books take you on a romantic date... with you.

So, pour some wine. Get into something comfy. Feel yourself.

Be yourself.

If you want to find some of the best Adult Coloring Books [http://www.unibulpress.com/] out there check our website [http://www.unibulpress.com/]

You will find there blog posts, coloring books and may colored pages made from our friends.

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Music Mini Course - Learn The Basics Of Reading Music On A Keyboard Instrument

Welcome to the wonderful world of music. As you begin reading this Music Mini Course it is fun to realize that you are also participating in a very important cultural aspect from around the world which has been going on for centuries. Did you know that pianos in some form have been around for over 500 years? Some of the first instruments of this kind were created in the late Medieval Period and were called clavichords. They had a very light, metallic sound because the small hand-pounded 'hammers' were made of very light weight metal-like material. These hammers struck strings of varying lengths to create different tones or pitches. The next cousin to the clavichord was the harpsichord invented by Cristofori in Italy around 1450 A.D. This keyboard instrument had a mechanism in it called the plecktrum which 'plucked' the strings and produced a slightly stronger sound than its predecessor. Whether you are playing an acoustic instrument, which is the closest relative to the history just mentioned, or an electronic keyboard, you are now participating in a centuries old musical art form.

SOME PRACTICAL CONSIDERATIONS: PIANO OR KEYBOARD?

Does it matter if you apply the information in this course to a keyboard or a piano? Certainly not. The only real difference is that a full size piano has 88 keys (counting both the white and black keys). Keyboards come in several different sizes. Some have 60 keys, some even less. There are also 88 key electronic keyboards and digital pianos that produce very realistic acoustic sounds. Whatever size your instrument may be, remember that the ARRANGEMENT of the keys and the ORDER of the KEY NAMES is the same on both instruments. Rest assured that your basic knowledge of the fundamentals of music can be done very effectively either on a keyboard or a piano.

Musical Terms

Begin your musical study by becoming familiar with these very important musical terms:

BAR LINE - A vertical line which separates notes into groups

DOUBLE BAR LINE - A set of two (2) vertical lines which stand for the end of a piece of music

REPEAT SIGN - Double bar with two dots at the end of a section or piece of music which indicates that section will be played twice.

MEASURE - The distance between two bar lines.

TREBLE CLEF - The S-shaped symbol which stands for notes played with the right hand. This is also referred to as the G clef since this inner curve of the symbol rests on the G line.

BASS CLEF - The reversed C-shaped symbol which stand for notes played with the left hand. This clef is also referred to as the F clef since the two dots beside the clef surround the F line.

STAFF - The five lines and four spaces of both the bass and treble clefs.

QUARTER NOTE - Musical symbol with solid note head and stem which gets one count of sound.

QUARTER REST - Musical symbol resembling a sideways W which gets one count of silence.

HALF NOTE - Musical symbol with hollow note head and stem which gets two counts of sound.

HALF REST - Solid half block sitting on third line of the staff which gets two counts of silence.

DOTTED HALF NOTE - Musical symbol with hollow note head, dot and stem which gets three counts of sound.

WHOLE NOTE - Musical symbol resembling a circle on the staff which gets four counts of sound.

WHOLE REST - Solid half block hanging from the second line on the staff which gets four counts of silence.

CHORD - Two or more notes played at the same time.

BLOCKED CHORD - Two or more notes from the same chord played at the same time.

BROKEN CHORD - Two or more notes from the same chord played in sequence.

INTERVAL - The distance between two notes on the musical staff.

FINGERING - Refers to which finger number is used to play a particular note (See Chapter Two: Fingering)

CURVED FINGER - Refers to playing with a rounded finger and on the tip of each finger. This is the best position of the fingers for playing piano or keyboard because it develops finger strength and independence.

INTRODUCTION TO THE WHITE KEYS

There are only seven (7) letter names used on the piano: A B C D E F G. It is interesting to note here that no matter what instrument you play, whether it is piano, tuba or violin, ONLY the seven letter names above are used in the entire realm of music! There are two very easy ways to visualize and remember the names of the white keys on your piano and keyboard. Remember, the note names on an electronic keyboard are the same as on the acoustic piano.

C D E F G A B C D E F G A B C D E F G A B C D E F G A B

Understand that the 'CDE' note groups are always located directly underneath the two black note group. The letter name 'D' in the white key always located directly in between the two black key note groups. ANY TWO BLACK NOTE GROUP on the piano has the letter name 'D' as the white key located in between them.

KEYBOARD EXERCISE:

Go to your keyboard NOW and start to play all of the C-D-E groups from the lowest (bottom left) to the highest (top right) on your keyboard. Say C - D - E as you play each key. The F - G - A - B note groups above are located directly beneath each three black note group on any piano or keyboard. Simply locate any three black note group on your piano or keyboard and realize that the F-G-A-B white keys are located directly beneath them. Directly outside of the three black note groups are 'F' on the left hand side of the three black note group and 'B' on the right hand side of the three black note group. Just fill in the outer 'F' and 'B' with G and A and you are done!

KEYBOARD EXERCISE:

Go to your piano or keyboard NOW and find all of the F-G-A-G white keys underneath each three black note group. As above, play slowly and evenly saying the letter names as you play the F-G-A-B groups from the bottom of the piano or keyboard (low left hand end) to the top of your piano or keyboard (top right hand end). Congratulations! You now know ALL of the white key names on the piano!

TREBLE AND BASS CLEF NOTE NAMES

Both the Treble and Bass clefs each have five lines and four spaces. Learning the actual note names of each line and space (the spaces between each line) is very simple. Please memorize the sentences below for the Treble Clef Line and Space Notes: Treble Clef Line Notes (starting from the bottom line and moving up) E G B D F Every Good Boy Does Fine (the first letter of each word helps you remember the order of the notes)

Treble Clef Space Notes (starting from the first space and going up): F A C E Just remember that the treble clef spaces spell the word 'FACE'.

Bass Clef Line and Space Notes are as follows: Bass Clef Line Notes: G B D F A Great Big Dogs Fight Animals Bass Clef Space Notes: A C E G All Cars Eat Gas

Now you know all the names of the white keys on your piano or keyboard. You have also learned the actual letter names of each line and space on both the treble and bass clefs. You are now on your way to the next level of piano education. Be sure to memorize the information above and you will be ready to begin to learn to read music notation on the piano or keyboard.

Jan Durrant, Publisher and Music Teacher

http://www.adultpianolesson.com

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How To Purchase Art Online

You love art and want art - but don't know where to start! As a first time collector, you want to make the right decision. When first starting a collection, it can be pretty intimidating to go into a gallery or speak to a dealer when you don't know what kind of art you like. With the proliferation of the use of the Internet, it's easier and easier to purchase art online. Traditionally, gallery dealers and art agents would have control over the art world making art a very inaccessible to the masses. That has all changed with the Internet and some amazing online sites to purchase art. One of my favourite sites to research and buy art online is Artsy when you don't have a gallery, art dealer or art agent or consultant to help you.

Artsy is a highly reputable site to find amazing artwork. It has over 300,000 artworks, architecture and design by close to 40,000 artists. Artsy has a wide range of artworks such as contemporary artwork all the way to the old masters. Artists include Damien Hirst, Gary Taxali, Jean-Michel Basquiat, Mark Rothko, Cindy Sherman, Andy Warhol, Damian Ortega, Anish Kapoor and many others, The artwork is from leading galleries, museums and private collections. In fact, Artsty's own mission is "to make all the world's art accessible to anyone with an Internet connection. We are a resource for art collecting and education." Artsy claims to be the largest online database of contemporary art. Further, Artsy has an "Artsy specialist" that can help you when deciding what to collect.

When you first sign up for Artsy as a collector, they will ask you a series of questions to personalize your profile so that they can recommend artists to you. First, you will be asked the price range of artworks you are interested in: under $500, $2500, $5,000, $10,000, $25,000, $50,000, $100,00 and $100,00+.

Second, you are then asked what category of artwork you are interested in: Contemporary Art, Photography, Old Masters, Graffiti/Street Art, Post-War American Art, Contemporary African Art, Latin American art, Contemporary Asian Art, Emerging Art, Design, Modern/Impressionist Art, Ancient Art and Artifacts. You can follow any of these categories to help Artsy help with recommendations.

Artsy then suggests a few artists and artwork you like where you can mark your favourites. Based on your selections, the Artsy software then makes recommendations of artists you may enjoy following.

For instance, since I said that I like graffiti/street art, Artsy recommended that I follow Blek Le Rat, Shepard Fairey, Ravi Zupa, Finok and Keith Haring - all artists which I love! Artsy all has great art news stories and features artists which also helps make it easier to decide on an artwork to safely purchase online.

I highly recommend starting with Artsy to help you with your collection. Once you feel confident enough and learned about other artists, you can then venture out and go to galleries, art fairs and artists studios directly.

Vandana Taxali is an art agent and media, entertainment, technology and arts lawyers for creatives and entrepreneurs.

See www.entcounsel.com for more articles.

She represents her brother, artist Gary Taxali. See www.garytaxali.com.

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These Artists Turned Used Cars Into Art

Ask anyone to describe a beautiful vehicle, and you're likely to hear about sleek new models or vintage roadsters. Across the U.S., however, intrepid artists have used highway toss-offs to create works of art.

Cadillac Ranch

Way out west, in the dry desert heat of Amarillo, Texas, lies one of the most beautiful examples of automotive art in the country. This piece features a straight line of old, brightly colored used cars protruding out of the flat desert ground, tail end up, with their hoods completely buried in the sand. The piece was installed by artists Chip Lord, Hudson Marquez, and Doug Michels under the moniker of their alternative architectural group, Art Farm.

The sculpture is meant to illustrate both the emergence and disappearance of the iconic "tailfin" feature that was included in the design of certain cars made between the years of 1943 and 1964. Marquez noted that the inspiration for the project was spawned from a children's book that he and Lord found in a bar while living in San Francisco. The vibrant row of vehicles is visible from the frontage road of Interstate 40, just westbound of Amarillo. They allegedly stick out of the ground at the same angle as the Great Pyramid of Giza in Egypt.

Greg of Akron's Van Murals

In the late 1960's through the mid 1970's, when vans were still a hot commodity in the automotive industry, an artist by the name of "Greg of Akron" had a vision for transforming the bland paint jobs on these vehicles into something more colorful and unique. He accomplished this by covering them in massive, one-of-a-kind murals for his pleasure and that of his customers alike. Greg of Akron, who preferred not to use his last name for incorporation purposes, rose to artistic fame through his larger than life airbrushed paint jobs, which he performed on used cars in his Norton, Ohio studio.

Greg, who was formerly a construction worker, painted thousands of vehicles in his career, from drag racers to motorcycles. However, his most notable work of art is a vibrant yellow and red mural entitled "Flying Eagle," which was completed in 1975 on a black van. In that year alone, his business grossed $500,000 from custom paint jobs. Greg of Akron passed away in 2007, but his legacy is certainly alive well.

Alexander Calder's original Art Car

Alexander Calder is an extremely well known and coveted artist, primarily know for his moving sculptures, called "mobiles." What many people might not know about Calder is that he was the first person to be commissioned to paint professional race cars.

In 1975, French racer Herve Poulain had the idea of combining the physical intensity of endurance auto racing and the emotional delicacy of the visual arts. The racer approached Calder with the idea of painting his car for an upcoming race, to which Calder agreed. The artist created an eye-catching, geometric design composed of large red, yellow, blue, and white fragments that would change the way people looked at racing designs. Other famous artists, like Andy Warhol, Roy Lichtenstein, and David Hockney would go on to paint racing automobiles as well. In fact, artists today are continuing the trend on all types of vehicles, from used cars to motor homes.

Through their various projects, artists like the above have illustrated how vehicles can be used to take people to both physical and emotional destinations.

When they're shopping for used cars, West Springfield, MA drivers should check out the selection at http://www.fathers-sonsvw.com/index.htm.

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Guitar Players...Get a Balanced Guitar Practice Diet

Do you have a wide variety of things that you practice. Or do you like to binge? (You know...the type of player who

practices sweep picking for a kazillion hours a day but only know three chords)!

Having a balanced practice routine is essential if you want to become a versatile guitarist. If you just practice one or

two things, sure you'll get great at those things...but you'll be weak in other key areas.

In this lesson you'll learn how to create a practice routine that is well-balanced and will

help you work towards your ultimate vision of how you would like to play.

I generally categorise what I practice into one of seven areas:

Technique.

Repertoire (Covers).

Composition.

Improvisation.

Ear Training.

Theory.

Music Reading.

Everything that you practice will fit into one or more of the above areas. For example,

if you are learning a very challenging cover tune by transcribing it off the CD you are

essentially working on your technique, repertoire and ear training at the same time. If

you also write down the song in standard notation, you will also be developing your

music reading skills.

Now...do you have to practice things in all seven areas? I believe that you don't have

to if your vision doesn't require it. For example, if someone wants to become an

awesome classical guitarist and has no desire to improvise, then I believe that they

don't need to practice things relating to improvisation. We all have limited time

available for practice, so it's a waste of time working on things that don't specifically

help you reach your goals.

Let's go through a few exercises...

Exercise One:

Think about the vision that you have for your playing for a few minutes.How would you like to play

in ten years time. Make it exact!

Once you've done that, brainstorm as many things that you need to practice in order to play like

your vision. What specific things do you need to learn, develop and practice? Write them down now.

Exercise Two:

Next to each of the things written down for Exercise One, write down a category next to it. For

example, if you wrote "I need to be able to play faster" then write technique next to it.

If you feel that something you wrote belongs to more than one category, then write

down all the categories it could belong to.

Exercise Three:

Look at your answers for the previous two exercises. Once you've done that prioritise

the categories shown below. For example, if you feel that technique is the most

important thing you need to work on to reach your vision then put a 1 next to it.

Practice Area Priority Level (1-7)

[Note: 1 is the highest priority].

Technique

Repertoire (covers)

Composition

Improvisation

Ear Training

Theory

Music Reading

Now here's the important point. You should spend the most time practising your

number one priority. I know it's pretty obvious, but you'd be amazed at how many

people don't do this! I know a few guitar players who would like to be able to play

incredibly fast, yet they don't do a lot of technical practice. Talk about setting yourself

up to fail!

Exercise Four:

Decide how much time every day you will spend on each category. Write it down below.

Practice Area Time Invested Daily

Technique

Repertoire (covers)

Composition

Improvisation

Ear Training

Theory

Music Reading

All done? Great!

So what's the next step?

The next step is to decide on a specific activity for each practice area.Make sure to write them down.

Here are a couple of examples of what someone might put down...

Technique: I will invest 10 minutes a day on alternate picking exercise one. I will

start with the metronome at 80 beats per minute (bpm) and increase it by 4 bpm daily

(as long as I can play it perfectly).

Ear Training: I will invest 10 minutes daily a day on A minor pentatonic ear training

exercise one.

Got the idea? You would have one specific activity for every practice area. If you

have a lot of time to practice you could set more than one activity per practice area.

Give this method a try. I'll think you'll be more than happy with the results!

Craig Bassett (The Guitar Solutions Expert) is a professional guitarist, guitar tutor and author who lives in Auckland, New Zealand. To get a free high-quality lesson e-mailed to you once a month, please go to:

[http://www.pentatonic-guitar-lessons.com]

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Top 10 Best Jazz Guitarists of All

The following is a brief list that includes some of the world's best jazz guitarists of all time. Whether you're an aspiring jazz musician or just someone who appreciates the music, this list is for you.

Charlie Christian

Charles "Charlie" Christian was an American jazz guitarist who lived from 1916-1942. He is credited with bringing the jazz guitar out of the rhythm section and into the world of solo instrumentals. He was called the best improvisational talent of the swing era and one of the founding fathers of bebop, while single-handedly influencing nearly every other artist on our list. He was so diverse that he eventually was inducted into the Rock and Roll of Fame for his early influence.

Wes Montgomery

As the jazz music world continued to gain popularity, more artists emerged. Among them was Wes Montgomery, who was greatly influenced by Charlie Christian. In fact, he learned Christian's solo and often played them note for note. Montgomery would eventually develop powerful techniques and lines for his own solos which would make him one of the most important and best jazz guitarists of all time. He later would be imitated for generations of jazz musicians.

Jim Hall

Improvisation was Jim Hall's preference for developing new music. Hall discovered there was more to jazz than bebop, and eventually drew the attention of some of the best musicians in the 60's including the Sonny Rollins' band and Bill Evans, among others. His style and technique is one of the best seen in jazz music.

Freddie Green

We couldn't go this entire list without mentioning William "Freddie" Green. While his journey with music started with the banjo, Green went on to play in clubs throughout New York as a teenager and quickly discovered his love for jazz guitar. He is known for his complicated rhythm guitar technique that blended perfectly with Big Band music.

Joe Pass

Joe Pass also emerged in the 60's and went down as one of the best solo jazz guitarists of all time. With his extensive knowledge of lines, he created a reputation that continues to inspire artists to this day.

B.B. King

B.B. King was an American singer and jazz guitarist, and also one of the most famous artists to ever grace the American continent. There isn't much we can say about B.B. that hasn't already been said, but what we can point out is that he is considered one of the most influential jazz and blues musicians of all time. And will be for the foreseeable future.

Django Reinhardt

Belgian-born French jazz guitarist Django Reinhardt, is thought to be one of the best jazz guitarists of all time. Reinhardt was the father of what is known today as "hot jazz" and goes down as one of the best jazz guitarists of all time.

George Benson

Benson was born a jazz guitarist artist. He started off playing soul jazz and eventually broke onto the pop scene. He used a similar technique to that of Reinhardt, but was himself an incredible artist.

Larry Carlton

Larry Carlton, like George Benson, started playing guitar at a young age. Later in life he would play with the likes of Billy Joel, Michael Jackson, Quincy Jones and many more. His work within the jazz world is recognized the world over, and his songs continue to provide music for millions.

John Scofield

John Scofield was an American jazz-rock guitarist and composer. His work enabled him to work with everyone from Pat Metheny to Miles Davis. His talents spanned genres including funk, jazz-fusion and rock.

There you have it. Our picks for the best jazz guitarists in history.

About the website: http://JazzGuitarLessons.net has thousands of unique daily visitors, over a million views on YouTube, curious students from all continents... and the website continues to grow steadily! Together with the website is http://JazzGuitarStore.net which contains numerous of Jazz Guitar Courses.

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6 Unspoken Truths of theIndustry 6 Modeling

These are usually learned through personal experiences, working with modeling agencies however, we try to pick some of those and share with you in writing now.

It is not a job with a fixed timing like 9 to 5

Modeling never comes to you at a fixed and consistent timing, and if you are inflexible to accommodate timings out of the usual 9-5 range modeling will not suit you. The jobs you get won't also be on a consistent basis, there will be times when you will be wishing for your next job, and there will be times in which you will be wishing that you had a day off. Projects come on and off on an irregular basis, as when clients select you. Patience and flexibility are key qualities that you require in this field.

Deals with a hectic schedule

You could be leading a busy and hectic lifestyle like most of the people in the region. Students are also not immune to this lifestyle, and can often forego many of their interests and activities outside of their academic curriculum.

You should know to balance between studies and a high fashion career in modeling. The hectic schedule may seem grueling, but it shows your hard work and determination to achieve your dreams.

Don't change your hair without informing your modeling agency

Note that the agency won't scold you for changing your hair color or cutting your hair off, but sometimes when a client requests for a particular type of hair (e.g. shampoo advertisement client) your hair is an essential part of the modeling. Hence it is wise to inform your agency of any big changes you are making to your look, so they may advise you accordingly.

Modeling is not just for young people

Modeling is a very diverse industry and agencies are always on the lookout for models of various ethnicities, ages, sizes, heights and races without discrimination as clients may have their requests for literally any kind of look. Of course, different categories of modeling have their specific set of requirements and you will be allocated to what suits your look best.

There is still some stigma around modeling

There will be people who look down or with skepticism at modeling jobs. Some may even believe it to be very superficial or not an honorable industry. However, truth is models work very hard to make a name for them. It takes just as much brainwork as beauty. Top models prove that it takes good skills, confidence and personality to excel in modeling, and not just gifted looks.

Make the most out of the events you get to attend

If you are lucky enough to be one of those who get to go for after parties or networking events, make sure to use those opportunities to get to know various clients, and have a good time.

Any modeling agency will strive to give you the best possible modeling experiences. Create Talents and Models as such reaches out to models from different walks of life to show off their body confidently and make some money out of it.

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Why Do So Many Models Support Social Causes, So Why we Should Too?

Many fashion brands such as Good Society and Vaalbara are following this trend too. In this article, we tell you some of the unspoken benefits of supporting a social cause publicly.

Appear to be inspirational and attract followers

In supporting social causes such as that of saving the environment, battling mental diseases, saving the animals, not only do you make the world a better place but you also appear to be a more intellectual and caring person in the process. This immediately boosts your likeability factor and attracts and retains followers. Through your beauty and modeling, you can serve as an inspiration to other activists and people who feel for the same cause.

You may get unique and niche modeling opportunities

Take for example the recent New York Fashion week which made history by showcasing Hijab style fashion on the runway by Indonesian designer Anniesa Hasibuan. This definitely serves as inspiration for the Islamic dress fashion and ascends the social justice cause for this fashion. Hence, as a model, you should be supporting for unique social causes you may actually be opening up yourself to many potential opportunities.

Do good and feel good

In general, as the old adage goes, "If you don't stand for something, you will fall for anything." As a model, you can make your mark by supporting a good social cause together with your work in modeling. It will appear on your bio and your soul will feel satisfied as well. Modeling is a powerful tool and steers society by setting trends and removing social stigma.

Case Study: The newest 17-year old-Asian and Japanese model sensation

A new, young, and bold Japanese Asian model, Rina Fukushi, at just 17-years-old is making her stand in the runways of the major cities of fashion - Paris, Milan, and New York. Working hard, she has made it to the big brand names of Miu Miu and Marc Jacobs, giving top models such as Gigi Hadid a fierce competition. We extract some lessons and tips that apply to models in their modeling career.

She was scouted

Some of us get apprehensive at the thought of being scouted, or when someone approaches us with an offer. However, most of the top models in the world, including Rina herself, were once scouted before top clients in fashion noticed them. Hence, most talents and potentials that get scouted should be more willing to step into the industry of modeling.

Ideal personality despite shortcoming of body requirements

In an interview with AFP, she remarks, "I like myself and I have confidence. What is wrong about being Asian or Japanese?" She is both confident and soft-spoken with humility and the same time.

She looks up to professional models such as Kate Moss, and standing at 1.76m, she might not have the height for a supermodel, but she is certainly striving for the inner beauty of Kate Moss.

Fukushi adds, "When she wears clothes, they look fabulous," Fukushi says of Moss. "She has inner beauty and I think that is so important."

This message comes off with huge importance to models that may be resisting a successful career in modeling in the due to stereotypes of height, weight or body requirements.

She's Asian and Kickass

"I don't feel 'I am sorry for being Japanese'. If I am confident that clothes look good on me, people don't see anything wrong. So it doesn't annoy me."

She wears confidence on her sleeve and proudly declares herself to be Asian on the international stage. Vogue has described as "ultra-cool" and "eye-catching" and now definitely serves as an inspiration to many aspiring young Asian models.

In the matters of serving, it is wise and best to follow your heart. There are bound to be social problems or issues that impact or influence you. Figure out what you feel moved by the most, and stand up for it. People who feel the way you feel will naturally be attracted by you and become your ardent fans soon after. Use your beauty to your advantage!

It is important that Singapore models feel important regardless of their race, nationality, identity, and come to the realization that modeling has shoes for all sizes. Anyone with the passion can achieve limitless possibilities and we at, Create Talents and Models dedicate and help such talents reach the peak of their potential.

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